Atomos Shogun Inferno 7” 4K Recording Monitor
Atomos Shogun Inferno 7” 4K Recording Monitor
$115.00 – $345.00
- Description
- Additional information
- Rental Rates
- Includes
- Resources
- Overview
- Compatibility
- Add-ons
- Specs
- Videos
Description
The Atomos Shogun Inferno is a 7″, 1920 x 1200 on-camera recording monitor that combines 4K recording with a 10-bit FRC panel that supports native display of HDR (log) footage as well as high-brightness viewing of Rec. 709 footage. It utilizes 4K HDMI and 12G-SDI inputs to support clean output signals at resolutions up to UHD 4K (3840 x 2160) at 60 fps, recording it to 2.5″ SSDs using 10-bit, 4:2:2 Apple ProRes, and Avid DNxHR codecs. The Inferno, unlike the similar Shogun Flame, supports Quad 3G-SDI input. It even supports DCI 4K (4096 x 2160) raw video streams over SDI from select Sony and Canon cameras, encoding it as ProRes/DNxHR files.
The Shogun Inferno is a great two in one combination for monitoring and recording 4K footage in any environment. Record in RAW or in ProRes & DNxHR.
Additional information
| Days Needed | 1 Day, 2 Days, Weekend, Weekly |
|---|
Rental Rates
-
DAILY $115
-
WEEKLY $345
All rentals require insurance to protect not only our equipment, but also the renter.
Please provide a Certificate of Insurance to have on file prior to the pick up of your rental.
Includes
- 512GB Solid State Drives x2
- USB 3.1 Dock
- HDMI & SDI Cables
- NP-750 Batteries x2 & Charger x1
- AC Power Adapter
- D-Tap Cable
- XLR Breakout Cable
- Sunhood
- Carry Case
Resources
Overview
- 1920 x 1200 Touchscreen Display
- 10-Bit FRC Monitor Processing
- 4K HDMI and 12G-SDI Inputs/Outputs
- 1500 cd/m² Brightness
- HDR Mode with 10-Stop Dynamic Range
- High Bright Mode for Recording 709 Viewing
- UHD 4K up to 60p / 1080p up to 240fps
- 10-Bit 4:2:2 ProRes and DNxHR Encoding
- Records to 2.5″ SSD/HDD Media
- Dual Sony L-Series Battery Slots
Compatibility
This monitor is compatible with most HDMI & SDI video inputs.
Specs
| Description | Specification |
|---|---|
| Type | 7.1″ / 18cm IPS Capacitive Touchscreen |
| Resolution | 1920 x 1200 |
| Pixel Density | 325 ppi |
| Video Aspect Ratio | Native 16:9 |
| Brightness | 1500 cd/m² |
| LUT Support | 3D LUT (.cube file format) |
| Interface | |
| Inputs | 1 x HDMI (2.0)
4 x 3G-SDI Quad/Single 12G-SDI (BNC) 1 x Genlock / LTC (BNC) 1 x 2.5mm LANC 2 x XLR (Included LEMO Breakout Cable Required) |
| Outputs | 1 x HDMI (2.0)
1 x 12G-SDI (BNC) 2 x XLR (Included LEMO Breakout Cable Required) 1 x 3.5mm Headphone Jack |
| Supported Video Format | |
| Supported Signal | Input: 10- / 8-Bit 4:2:2 (Dependent on Video Source)
Output: 10- / 8-Bit 4:2:2 (Dependent on Video Source) |
| Input/Output Resolutions | HDMI 2160p: 24/25/30/50/60
HDMI 1080p: 24/25/30/50/60/120/140 HDMI 1080i: 50/60 HDMI 720p: 50/60 SDI 2160p: 24/25/30/50/60 SDI 1080p: 24/25/30/50/60/120 SDI 1080PsF: 24/25/30 SDI 1080i: 50/60 SDI 720p: 50/60 |
| Video Signal Converions | HDMI 2160p: 24/25/30/50/60
HDMI 1080p: 24/25/30/50/60/120/140 HDMI 1080i: 50/60 HDMI 720p: 50/60 SDI 2160p: 24/25/30/50/60 SDI 1080p: 24/25/30/50/60/120 SDI 1080PsF: 24/25/30 SDI 1080i: 50/60 SDI 720p: 50/60 |
| Encoding Formats | DCI Raw 4096 x 2160 from Supported Cameras (Sony FS700, Sony FS7, Canon C300 MKII, Canon C500): Apple ProRes Raw and ProRes Raw HQ, 422, LT, DNxHR HQX, HQ, SQ, LB
UHD 4K (3840 x 2160): Apple ProRes HQ, 422, LT DNxHR HQX, HQ, SQ, LB 1920 x 1080 Apprle ProRes HQ, 422, LT DNxHD 220x, 220, 145, 36 |
| Pulldown Conversion | 24/25/30PsF to 24/25/30p (2:2 pulldown)
60i to 24p (3:2 pulldown) |
| Supported Codecs | Raw to ProRes/DNxHR Apple ProRes: Raw, Raw HQ, HQ, 422, LT AVID
DNxHR: HQX. HQ, SQ, LB Frame Rates DCI / UHD 4K: 24/25/30/50/60p PsF: 30/50/60/100/120/200/240 Video to ProRes/DNxHR Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame Rates DCI / UHD 4K: 24/25/30/50/60p PsF: 30/50/60/100/120/200/240 |
| Supported Audio Formats | |
| HDMI | 2- or 8-channel, up to 24-bit (camera dependent) |
| SDI | Up to 12-channel, 48 kHz, up to 24-bit (camera dependent) |
| Dynamic Range | >90dB |
| Signal Level | Maximum: +24dBu |
| Gain | Maximum Analog Gain: +52dB |
| Phantom Power | +48 V phantom power for XLR inputs |
| Remote Operation | |
| HDMI | Auto HDMI trigger Supported Protocols: Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| LANC | Supports slave configuration |
| Recording Media | |
| Supported Media | 4K
2.5” SSD HD High Frame Rate (50/60/120p): 2.5” SSD 2.5” HDD (7,200 rpm and up) for 1080p 50/60 HD (30p and less): 2.5” SSD 2.5” HDD (5,200 rpm and up) for 1080p 50/60 |
| Master Caddy Dock | Interface: 2.5” SATA to USB 2.0/3.0 |
| Supported Applications | Final Cut Pro X/7+
Avid Media Composer 5.0+ Adobe Premiere 5.5+ Grass Valley EDIUS 6.0+ Sony Vegas Pro 10+ Lightworks Autodesk Smoke 2015 |
| XML Support | FCP X XML native, FCP 7 supported with conversion (Adobe compatible) |
| General | |
| Power Requirements | 6.2 to 16.8 VDC (battery or DC power input) |
| Power Consumption | 10 to 24 W |
| Supported Battery Types | 2 x Sony L-series |
| Battery Life | 5200 mAh: Up to 1.5 hours (monitor and record 4K)
7800 mAh: Up to 2.2 hours (monitor and record 4K) |
| Construction | ABS polycarbonate |
| Dimensions | 8.4 x 5 x 1.8” / 21.4 x 12.7 x 4.5 cm |
| Weight | Without Batteries & Media: 1.4 lb / .65 kg With Batteries & Media: 2.4 lb / 1.09 kg |
